2.3 References

Secondary sources

Corrigan T (2007) ‘Literature on screen, a history: in the gap’, in Cartmell C and Whelehan L (eds) The Cambridge companion to literature on screen, Cambridge University Press, New York.

Furze N (2020) Adapting history: applying adaptation theory to historical film and television [PhD thesis], Canterbury Christ Church University, accessed 12 November 2023.

Gural UL (2022) ‘A review of “Troy” in the context of film–reality relationship’, Aegean Congress, 5:1–9.

Hoffman C (2000) ‘The evolution of a gladiator: history, representation, and revision in Spartacus’, Journal of American and Comparative Cultures, 23(1):63–70.

Richards J (2008) Hollywood’s ancient worlds, Bloomsbury, London.

Saxton L (2020) ‘A true story: defining accuracy and authenticity in historical fiction’, Journal of Theory and Practice, 4(2):127–144.

Talbot M (22 October 2018) ‘The myth of whiteness in Classical sculpture’, The New Yorker, accessed 10 November 2023.

Weinlich BP (2015) ‘A new Briseis in Troy’, in Return to Troy: new essays on the Hollywood epic, Brill, Boston.

Winkler MM (2017) ‘Fascinating your Fascism: the case of 300’, in Winkler M (ed.) Classical literature on screen: affinities of imagination, Cambridge University Press, Cambridge.

Wyke M (1997) Projecting the past: ancient Rome, cinema and history, Taylor & Francis, London.

Primary sources

Plutarch (Perrin B, trans), Plutarch’s lives, Harvard University Press, Cambridge, 1916.